Overdose / Miasthenia / Shaaman
Meet some albums that changed the history of their respective bands - and etched their names into the Brazilian musical history.
Escrito por:
Escrito por:
THE ROCKER
THE ROCKER
The Race
The Race
Shaaman (Photo:Disclosure)
Shaaman (Photo:Disclosure)
The task of inserting new elements in a style already established is something that will always divide fans: some will like and another will hate. Searching through my collection of CD's, I found, among many, three works of bands who dared to escape of what we're accustomed to hearing, renewing their work and thus creating new musical aspects They are: Overdose, with "Progress Of Decadence", Miasthenia with "Supremacia Ancestral" and Shaman, with "Reason".

Supremacia Ancestral
Band: Miasthenia / Label: Somber Music
Third "full" work of this quartet from Brasilia (Brazil), which brings a Black Metal full of melodies and acoustic inserts, using as theme the ancient pagan civilizations, as the Incas and the Mayans, leaving the album full of personality, sounding unique.
The melodies and acoustic passages act as atmospheres that serve as the climate for the whole concept that is raging through the "old school" vocal of Hecate, who also holds the keyboard - and the most interesting part is that these atmospheres blend perfectly with the black instrumental, sounding perfectly smooth (if more bands could accomplish this feat, we wouldn't have so many bad records in the market).
In a disk so homogeneous, it is difficult to highlight tracks, but the opening of "Deuses da Aurora Ancestral", the instrumental "Tzompantli", the emotional "Taqui Ongo" and "Tawantisuyo" (with a nice acoustic beginning) are highlighted in the first hearing. But, like all conceptual work, it deserves to be heard in full. Great job, that shows that rock and culture can walk together and produce great results!
www.myspace.com/miasthenia


Progress of Decadence
Band: Overdose / Label: Mushroom
Known by figuring in a split with Sepultura, this quintet of Minas Gerais have works full of personality, consisting of soundworks different from the previous ones - so that the band began making a sound more focused on the Heavy Metal, while here the band sounds totally Thrash, mixed with percussion and electronic drums.
Before you think that the guys were copying its "rich cousins", the use of percussion didn't draw the weight of the compositions. Things here were more visceral, as seen in "Street Law", which is one of the greeting cards of the work and the remake of "Zombie Factory", "Capitalist Way", "Favela" and "Straight to the Point" (has a clip that played quite a lot in Fúria Metal), along with the angry vocals of Bozó and the precise guitars of Claudio David and Sergio Cichovicz.

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05/12/2009
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